Origin New Canaan, Connecticut, United States Genres Art pop, worldbeat, indie pop, lo-fi Years active 2006–present Labels 4AD, Marriage Associated acts Sis Tune-Yards is the American, Oakland, California–based music project of musician Merrill Garbus, with long-time collaborator, bassist Nate Brenner. Garbus’s music draws from an eclectic variety of sources and utilizes elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice's annual Pazz and Jop critic's poll. Tune-Yards’ last release 'I can feel you creep into my private life', was a self-reflexive question mark at the end of a decade of outspoken, polyphonic indie music. From 2009 to 2018, Tune-Yards (both Merrill and her partner and collaborator Nate Brenner) released four critically acclaimed albums, travelled the world relentlessly to play live shows, and composed the psychedelic score to Boots Riley's surrealist cinematic masterpiece Sorry To Bother You. "We had really been non-stop hustling," Merrill reflects. "And when we're hustling, we're complicit in all of the systems that I really don't believe in." Interrogating these systems and her role within them had left Merrill feeling heavy with grief and lost about how to move forward. The duo pressed on, inspired by the Beastie Boys Book and Questlove’s Creative Quest, and began jamming daily for hours in their home rehearsal studio “like athletes”. They ditched computer screens for live instruments (Merrill on drums, Nate on bass) and before long full songs started to emerge. Unlike the lyrical introspection of previous outing I can feel you..., on sketchy. Merrill balances self-inspection and reflection with bombastic rallying cries, reminiscent of the furious tones of early days Tune-Yards. The result is a colourful and joyous record with lyrics that cut to the bone. "I started remembering that people come to us to be entertained, to move, to feel joy. And together, I think, we can wake up.”