Paavali Jumppanen

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Sobre Paavali Jumppanen

In the brief span of recent seasons, the imaginative and versatile Finnish virtuoso Paavali Jumppanen has established himself as a dynamic musician of seemingly unlimited capability who has already cut a wide swath internationally as solo recitalist, orchestral collaborator, recording artist, artistic director, and frequent performer of contemporary and avant-garde music. Mr. Jumppanen has performed extensively in the United States, Europe, Japan, and Australia and is known for his remarkable expressivity and intense musical curiosity. He has shared the stage with many great conductors, among them David Robertson, Sakari Oramo, Osmo Vänskä, and Jaap van Zweden. He has commissioned numerous works and collaborated with pivotal composers such as Boulez, Murail, Dutilleux, Penderecki, as well as his own generation of Finnish composers. In particular he also been praised by the Boston Globe for the “overflowing energy of his musicianship” and by the New York Times for playing with “power and an extraordinary range of colors.”

Paavali Jumppanen

In the brief span of recent seasons, the imaginative and versatile Finnish virtuoso Paavali Jumppanen has established himself as a dynamic musician of seemingly unlimited capability who has already cut a wide swath internationally as solo recitalist, orchestral collaborator, recording artist, artistic director, and frequent performer of contemporary and avant-garde music. Mr. Jumppanen has performed extensively in the United States, Europe, Japan, and Australia and is known for his remarkable expressivity and intense musical curiosity. He has shared the stage with many great conductors, among them David Robertson, Sakari Oramo, Osmo Vänskä, and Jaap van Zweden. He has commissioned numerous works and collaborated with pivotal composers such as Boulez, Murail, Dutilleux, Penderecki, as well as his own generation of Finnish composers. In particular he also been praised by the Boston Globe for the “overflowing energy of his musicianship” and by the New York Times for playing with “power and an extraordinary range of colors.”

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