Bill McKay began his musical journey at the age of six, taking classical piano lessons and singing in a church choir as a boy soprano. In high school, he studied jazz theory and ear training, and sang in the choir and barbershop group, touring in England, Wales, and Amsterdam. Bill began playing rock and roll in bars and clubs at the age of 16 with various bands.
Bill MacKay celebrates release of his new record Locust Land. MacKay is a guitarist, composer, singer and improviser based in Chicago. A renowned solo artist and accomplished collaborator with projects that include cellist Katinka Kleijn (Stir, 2019), Nathan Bowles (Keys, 2021), and Ryley Walker (SpiderBeetleBee, 2019), all released on Drag City Records, MacKay has pursued his musical investigations with obsessive rigor, releasing seven LPs since 2017. A deep radiance envelopes even MacKay’s most dissonant explorations, and his trajectory travels seamlessly from the avant-garde to folk modes, and further. In his music, tradition is invited to be reinvented. MacKay is also a poet, visual artist and polyglot, and is a member of both the avant-garde rock outfit Black Duck (with Douglas McCombs) and the experimental groove-drone project BCMC (with Cooper Crain). Among other publications, his work has received praise in the Chicago Reader, New York Times, Mojo, Uncut, Downbeat, Paste, Pitchfork, and NPR.