Anyone having experienced the power of Canto Ostinato by Simeon ten Holt (1923-2012) will come under the spell of the hallucinatory effect of this iconic work, the most famous Dutch work for piano of the 20th century, one of the “classics” of minimal music. Over the years Jeroen van Veen and friends presented the work in a variety of arrangements, ranging from piano solo through multiple pianos, organ, marimbas and synthesizers, each revealing other aspects of this deceptively simple work in which the harmonies shift imperceptibly in slowly changing waves. About this new recording for two pianos Jeroen van Veen says: “Since each performance creates a new version the piece is evolving during the years. In 1996 Sandra and I recorded the first version, in 2008 a version that Ten Holt liked the most and the last one was in 2014 (Canto Ostinato XXL, four pianos and organ). This new version you are holding now is the latest including all the varieties we developed during the many performances we did worldwide. The last few years we also included a composition written by me, Incanto 06, which is a sort of more minimalistic approach. It fits into the Canto Ostinato and has become our signature over the years.”. Without doubt Jeroen van Veen established himself as “The leading exponent of minimalism today” (Fanfare), “Jeroen van Veen has been a powerhouse in the piano world” (Musicweb). His numerous recordings for Brilliant Classics include works by Glass, Reich, Ten Holt, Pärt, Satie, Tiersen, Einaudi, Preisner and many others.