As with the best of Miami Horror’s work, “Sometimes” channels equal parts Daft Punk, Alan Braxe, and New Order (… or is it Electronic?). There is more than a dash of Bernard Sumner’s approach in those spacious guitar riffs, and there is even more air between the notes during a pretty, house-inspired breakdown three-quarters of the way through. While the instrumental and vocal elements are more or less the same when compared to Miami Horror’s preceding singles, it is clear that he has taken great strides forward in his songwriting, moving further away from the repetitive, slow build of dance music and embracing the pop conventions which made “Don’t Be on with Her” so sexy. “Sometimes” proves Miami Horror to be a formidable songwriter, one whose knowledge of electronic music minutiae make his nods to his forbears spot-on and unforced. If “Sometimes” wears its touchstones on its sleeve, it never suffers the suffocating grip of revivalism. Unless there is something painfully awry in the music world, Miami Horror is poised to break out and be the Cut Copy of 2010.