The first thing to note about the music of Patrick Ozzard-Low is that if we let it, it will take us to some unusual imaginative regions. Initially we seem to find ourselves in the world of high modernism, but as we become accustomed to the air this impression quickly dissolves. Pianist Andrew Zolinsky and violist Elisabeth Smalt present two solo sonatas for their respective instruments and deliver a strong argument for the continuing existence of this traditional musical form in today’s musical language.