Sao Paulo based 7-string guitarist and composer Gian Correa and Graffiti artist Apolo Torres join forces in social activism to create a project with recorded and visual components which updates Choro music with a new timely and contemporary voice. Choro, literally to “cry” in Portuguese, is a traditional Brazilian style born in the late 19th century in the urban landscape of Rio de Janeiro. It combines traditional western forms and harmony with African rhythms, in a similar fashion to the North American Ragtime, or the Argentinian Tango. In his latest recording "O Abismo da Prata", Correa updates it with a contemporary cry for social justice, bringing forth social issues plaguing Brazil today, and the world at large. Each track on the album inspired the creation of a graffiti work on the streets of Sao Paulo painted by Apolo Torres, a leading exponent of Brazilian contemporary muralism movement. Each work illuminates a different aspect of struggle, from generational discrimination and consumerism to freedom from tyranny and poverty. To realize his vision, Correa gathered a group of young, like-minded Sao Paulo based musicians, who bring a contemporary edge to the old tradition of Choro, and superstar pianist Shai Maestro as a special guest on Fender Rhodes.