Miami Flow

Miami Flow

Things that make you go 'mmm' - it's Marc Ross and MOSMI presenting 'Miami Flow' and 'Mi Nota' on Clarisse. Marc Ross has been making moves from Italy to LA, the man behind the ‘Magic Stick’ gaining backing from Carl Cox, Steve Lawler and DJ Magazine. Added to Venezuela’s MOSMI bringing his own South American spin to proceedings with a brand of Caribbean tech house to marvel at, and you’ve a pair of music maestros made to make your mouth water. Partying in the city where the heat is on, 'Miami Flow' starts as a Clarisse club classic - buoyant beats powered by back and forth bass and percussion putting serious pressure on the palms. It isn't long before a slick vocal peering from over sunglasses and with champagne on ice takes over, like a well-dressed bigshot holding down VIP. Ross and MOSMI warm up the club, then get everyone loosening a button or two. 'Mi Nota' follows the blueprint, lowering the bassline into a wrecking ball for the weekend, hitting the skins in a flurry of finger work and now installing a chatty female vocal that could be giving dancefloor orders via mobile phone. Seeming to use the word 'wait' over and over is classic reverse psychology in getting the dancefloor good and steamy, Ross and MOSMI hitting all the right notes for spring and summer.

Miami Flow

Marc Ross · 1715270400000

Things that make you go 'mmm' - it's Marc Ross and MOSMI presenting 'Miami Flow' and 'Mi Nota' on Clarisse. Marc Ross has been making moves from Italy to LA, the man behind the ‘Magic Stick’ gaining backing from Carl Cox, Steve Lawler and DJ Magazine. Added to Venezuela’s MOSMI bringing his own South American spin to proceedings with a brand of Caribbean tech house to marvel at, and you’ve a pair of music maestros made to make your mouth water. Partying in the city where the heat is on, 'Miami Flow' starts as a Clarisse club classic - buoyant beats powered by back and forth bass and percussion putting serious pressure on the palms. It isn't long before a slick vocal peering from over sunglasses and with champagne on ice takes over, like a well-dressed bigshot holding down VIP. Ross and MOSMI warm up the club, then get everyone loosening a button or two. 'Mi Nota' follows the blueprint, lowering the bassline into a wrecking ball for the weekend, hitting the skins in a flurry of finger work and now installing a chatty female vocal that could be giving dancefloor orders via mobile phone. Seeming to use the word 'wait' over and over is classic reverse psychology in getting the dancefloor good and steamy, Ross and MOSMI hitting all the right notes for spring and summer.

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