The Afro-soul jazz of The Invisible Session in parallel with Agosta's electronic, nocturnal world - the duo forges new long-distance dialogues in which a unique sound emerges - jazz psychedelia and electronics intersect between the electrifying piano riff of 'Riders on the Storm' by The Doors and Apparat - as if from another planet "Lady G" from Agosta's first and eponymous album vibrates on the same frequency - magically set to an elegant aesthetic, minimal, in which the black proud message of young Bentality emerges without anger - a real surprise!