Lo-fi producer, rapper, and multi-instrumentalist Nathan Kawanishi was looking for a new challenge after the breakout success of Nostalgia, his debut LP with Nettwerk Music Group. Nostalgia, a pandemic project that reflected on his time in Japan, rocketed Kawanishi from rising producer to an important new voice in lo-fi hip hop. Kawanishi could have leaned into the shimmering, blissed-out sound of Nostalgia, but instead he pushed himself to explore every corner of the lo-fi space. Inspired by the Hegelian concept of thesis and antithesis, he created a two-part concept album. Iconoclasm (Thesis) (11/25/22), and Splashes of Ink (Antithesis) (3/10/23) represent yet another creative leap into the unknown for Kawanishi. The two-part album is the biggest insight into Kawanishi’s taste and personality yet. Following his solo folk singer/songwriter EP and a hip-hop split single, Nathan continues with genreless and eclectic music, this time with an indie rock / bedroom pop / alternative EP alongside TheBrewz. Here to wrap up this chapter is an instrumental version of "Enchant Me". "The instrumental of a song from our No Shadows record," says Nathan. "We wrote most of the EP like an indie project— but since we leaned into the beatmaker vibe on this track, it seemed appropriate to also release the instrumental version." About TheBrewz: Honolulu based songwriting/production team, TheBrewz are having the time of their lives collaborating with artists and putting out music ranging from eclectic hip-hop grooves to pop tinged indie.