Chronicles of a Stranger

Chronicles of a Stranger

Warp Dissonance launches its catalog (WDS004) brought to us by JØHRN. Introduces us to (Chronicles Of A Stranger_EP). A work made up of six very intelligent cuts. This EP begins with the first cut_Chronicles Of A Stranger which refers to the name of the release, we can appreciate the play and modulation of the bass that the artist makes present throughout the entire track, accompanying it with textures and small arrangements that complement the rhythm of hat and deep percussions. In the second cut we have (Angys Worlds). A small demonstration of how versatile JØHRN's arpeggiated percussion game with an industrial touch can be accompanied by subtle atmospheres, rhythms and ethnic background sounds, creating an expectation to surprise on the dance floor. The third cut (Descriptive Tongues). JØHRN tries to transport our mind to another dimension with hypnotic sounds, Fx and a very precise bass game. The fourth cut (Edges Of The Universe). A full-blown acid track with constantly moving environments and futuristic sounds, a great kick presence, also creating great expectation. The fifth place (Reflections Of Thought). Kick's play is counterbalanced by a bass line and dynamic and perfect sequences in each entry, with the artist's characteristic atmospheres that float over the rhythm. The sixth and final cut (Scream In The Shadow). With a powerful, rough and enveloping subbass accompanied by mental sounds, random percussions and hat rhythms make this track perfect for breaking up the darkest sound spaces. JØHRN definitely has his own sound and we are very proud to have him on board.

Chronicles of a Stranger

Jöhrn · 1715875200000

Warp Dissonance launches its catalog (WDS004) brought to us by JØHRN. Introduces us to (Chronicles Of A Stranger_EP). A work made up of six very intelligent cuts. This EP begins with the first cut_Chronicles Of A Stranger which refers to the name of the release, we can appreciate the play and modulation of the bass that the artist makes present throughout the entire track, accompanying it with textures and small arrangements that complement the rhythm of hat and deep percussions. In the second cut we have (Angys Worlds). A small demonstration of how versatile JØHRN's arpeggiated percussion game with an industrial touch can be accompanied by subtle atmospheres, rhythms and ethnic background sounds, creating an expectation to surprise on the dance floor. The third cut (Descriptive Tongues). JØHRN tries to transport our mind to another dimension with hypnotic sounds, Fx and a very precise bass game. The fourth cut (Edges Of The Universe). A full-blown acid track with constantly moving environments and futuristic sounds, a great kick presence, also creating great expectation. The fifth place (Reflections Of Thought). Kick's play is counterbalanced by a bass line and dynamic and perfect sequences in each entry, with the artist's characteristic atmospheres that float over the rhythm. The sixth and final cut (Scream In The Shadow). With a powerful, rough and enveloping subbass accompanied by mental sounds, random percussions and hat rhythms make this track perfect for breaking up the darkest sound spaces. JØHRN definitely has his own sound and we are very proud to have him on board.

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