Black Angels

Black Angels

The title to Kronos's most bleak album comes from a nearly 20- minute-long composition by American composer George Crumb that unfolds over 13 distinct parts. That ominous number only hints at the horror Crumb intended as an ode to the Vietnam War. War informs the whole CD: Shostakovich's Quartet No. 8, composed near the height of the Cold War, in 1960, was dedicated "to the victims of fascism and war." "Doom. A Sigh," by Istvan Marta, incorporates field recordings of two Romanian women singing personal laments of fallen friends and relatives; their grief is so intense as to render listening incredibly difficult. The original text to 16th-century composer Thomas Tallis's "Spem in Alium" (originally a 40-voice motet) recalled a biblical battle. And late American composer Charles Ives is heard singing (yes, singing) "They Are There!"--a ditty he wrote during the Great War and revisited for World War II; he's joined here by the Kronos, half a century after his death, in an act of studio magic that is ingenious if not musically stimulating.

Black Angels

Kronos Quartet · 1210003200000

The title to Kronos's most bleak album comes from a nearly 20- minute-long composition by American composer George Crumb that unfolds over 13 distinct parts. That ominous number only hints at the horror Crumb intended as an ode to the Vietnam War. War informs the whole CD: Shostakovich's Quartet No. 8, composed near the height of the Cold War, in 1960, was dedicated "to the victims of fascism and war." "Doom. A Sigh," by Istvan Marta, incorporates field recordings of two Romanian women singing personal laments of fallen friends and relatives; their grief is so intense as to render listening incredibly difficult. The original text to 16th-century composer Thomas Tallis's "Spem in Alium" (originally a 40-voice motet) recalled a biblical battle. And late American composer Charles Ives is heard singing (yes, singing) "They Are There!"--a ditty he wrote during the Great War and revisited for World War II; he's joined here by the Kronos, half a century after his death, in an act of studio magic that is ingenious if not musically stimulating.

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