Rudi Fischerlehner's second solo album "Spectral Nichts" describes a musical and emotional landscape of polyrhythmic structures, abstract sound collages and aggressive drum patterns. A musical world inspired by influences from Haitian and Japanese music, musique concrète and turntablism, free jazz, punk and new music. Non-musical interests strongly color the picture, exemplified by the films of Maya Deren, who, through her approach to editing and form, creates moods and in-between worlds, which are also striven for here in terms of sound.