With the Group project, about which we know nothing, the Spanish label Subsist strikes a blow on the lands of ambient music with industrial sounds. With Post-Industrial, images of desolate cities and territories crossed by streams of radioactive currents follow one another. Machines are activated in a chaotic way to weave invisible links between precariously balanced concrete buildings. The computer coughs out bursts of mechanical sputtering, the rhythms drift off course as if to show a hidden path under the rubble of a single thought. Worrying and labyrinthine, each track is the fruit of the previous one, the offspring of a world in decadence, stripped of any trace of humanity, except the one that gives life to this end-of-the-world amalgam. The atmospheres flee from our everyday life, from which they draw their inspiration, to create an empty space filled with carnal non-life and inhabited by quantum metaphysics crossing virtual walls to burst into subliminal images. A ghostly album escaped from a parallel sphere and collided with the darkness and nihilism of a world in decline, running inexorably to its doom. Cold and shining like a black diamond. Translated with www.DeepL.com/Translator (free version)