★瑞典浩室天才、堪称Progressive House教父，首张初登场专辑 ★权威音乐媒体Allmusic、Spin一致盛讚 ★2CD盘强势收录登上比利时单曲榜季军强打"Opus" 纵横电子乐界长达28年，精通House/Trance/Progressive House/Tech House等多元乐风，并于欧陆与美国各大夜店以独特的电子歌曲受人所景仰，许多乐迷甚至称讚其为Progressive House教父；他就是Eric Prydz。 39岁的Eric Prydz虽为瑞典人，但是却在美国加州的洛杉矶崛起；除了身兼知名电子音乐制作人的身分以外，Eric Prydz还是Pryda、Pryda Friends以及Mouseville唱片公司之老闆，而他本身也以Pryda、Cirez D等别名，在自己的厂牌之下发行作品。2004年Eric Prydz以一曲"Call On Me"轰动了电子音乐界，并且登上欧美超过10个国家的电子舞曲排行榜Top50。12个年头过去，许多乐迷总是好奇Eric Prydz至今为何迟迟没有发行过自己的个人专辑；而就在众多乐迷的期盼之下，Eric Prydz以个人的名义、累积超过20年的丰富电子音乐经验，发行了首张破天荒的个人专辑【Opus】。 【Opus】由Eric Prydz亲自操刀专辑的创作与制作，融合Progressive House、Electro House、Tech House等乐风，将电子音乐的精髓推演到极致；充满无尽派对感的"Everyday"是电子音乐狂欢氛围的最佳展现；邀请澳大利亚知名音乐人Rob Swire(Pendulum、Knife Party)合作且处处充满巧思的"Breathe"，则是多元乐风的大融炉；在Youtube上突破350万人点击的"Liberate"，是专辑中Eric Prydz最为经典的招牌风格；与专辑同名并长达9分03秒的"Opus"，则是Eric Prydz以多年电子音乐创作功力所凝聚出的结晶。 A Swedish producer based out of L.A., Eric Prydz first hit in 2004 with the Steve Winwood-sampling "Call on Me" and then became better known for "Proper Education," a 2006 cut that turned Pink Floyd's "Another Brick in the Wall, Pt. 2" into a slamming dancefloor-filler. His loopy, spacy, and hooky brand of progressive house kept him in good standing with the dancefloor faithful until the 2015 single "Opus" put him back in the general public's eye with its epic nine-minute buildup and a remix request tweeted out by Kieran Hebden, aka the left-field producer Four Tet. Perhaps Prydz is the modern-day Giorgio Moroder, equally loved by both the electronica elite and sweaty club kids who never bother to look at a record label to catch a name. Both factions will be pleased with Opus, the long-awaited debut double album, which neither challenges nor fades into the background but entices and pleases the whole way through. The highlights are numerous as "Floj" sounds as if Moroder joined the Human League and they went all instrumental, then Pendulum member and Deadmau5 collaborator Rob Swire proves he can emote at half tempo on the well-needed second-disc respite dubbed "Breathe." "Liberate" is the ultimate in uplift as it combines the attractive swirl of vocal trance with the sweaty beats of tribal house, then "Moody Mondays" with the Cut offers itself up to EDM, darkwave, and indie dance playlists because with Prydz, genres were made to borrow from and blend. Tacked at the end is the always necessary "Opus" in all its glory, and while the Four Tet remix would have been nice to have (along with the recent Chvrches collaboration "Tether"), Opus, the album, is keenly constructed and an excellent beginning-to-end journey in spite of its size.