This recording illustrates the development of the Tuscan organ school of the 19th century. The collection ranges from Father Antonio Casini’s brilliant compositions, with their echoes of contemporary opera, to the classical refinement of Luigi Ferdinando Casamorata, whose work occasionally reveals a recourse to counterpoint, and to the heartfelt romanticism of Giovacchino Maglioni, where melodic élan and imposing sound require extraordinary virtuoso skills, including the extensive use of the Pedal. To capture the original sound and spirit envisaged by the composers, for this recording organist Matteo Venturini has selected two period instruments. With its brilliant, direct voice, the monumental organ at Corsanico (Vincenzo Colonna 1606 / Agati-Tronci 1899) lends itself perfectly to the brilliant compositions of Father Antonio Casini. The organ in the Basilica di Santa Maria di Nazareth in Sestri Levante (Fratelli Serassi 1832, Op.465), with its intriguing solo register sound and magnificent tutti voices, was chosen for the works by Casamorata and Maglioni. The technical specifications of these instruments are included in the booklet. Matteo Venturini, one of the foremost organists of Italy, has already successfully recorded for Brilliant Classics, works by Gronau, Weckmann and Müthel.