Caccini: Amarilli, Le Nuove Musiche 1601

Caccini: Amarilli, Le Nuove Musiche 1601

Giulio Caccini (1551-1618) was a celebrated Italian composer, singer, instrumentalist and teacher. The Duke of Tuscany, Francesco de Medici, was so impressed by the voice of the young man that he took him to his court in Florence, where Caccini stayed the rest of his life. Caccini’s new musical language changed the course of music history and laid the foundations for the modern Opera. In his “Le Nuove Musiche” (the New Music) he eschewed complex counterpoint in favour of a new monodic style, in which a solo voice is supported by a rich continuo, putting the expression of the poetry and its emotions to the foreground. This new recording contains arias and madrigals from the ground-breaking publication “Le Nuove Musiche” from 1601. The works presented here are given an authoritative yet highly original interpretation by expert early music group Fantazyas. Alongside their director Roberto Balconi, described as ‘one of the best voices on the countertenor scene’ (L’Opera), the ensemble brings a sweet, pure sound to these overlooked Italian gems.

Caccini: Amarilli, Le Nuove Musiche 1601

Fantazyas · 1622131200000

Giulio Caccini (1551-1618) was a celebrated Italian composer, singer, instrumentalist and teacher. The Duke of Tuscany, Francesco de Medici, was so impressed by the voice of the young man that he took him to his court in Florence, where Caccini stayed the rest of his life. Caccini’s new musical language changed the course of music history and laid the foundations for the modern Opera. In his “Le Nuove Musiche” (the New Music) he eschewed complex counterpoint in favour of a new monodic style, in which a solo voice is supported by a rich continuo, putting the expression of the poetry and its emotions to the foreground. This new recording contains arias and madrigals from the ground-breaking publication “Le Nuove Musiche” from 1601. The works presented here are given an authoritative yet highly original interpretation by expert early music group Fantazyas. Alongside their director Roberto Balconi, described as ‘one of the best voices on the countertenor scene’ (L’Opera), the ensemble brings a sweet, pure sound to these overlooked Italian gems.

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